
There is much focus, in the culinary world, on the creation of new flavor combinations. Much stock (pun intended) is put in the ability of a chef to show his prowess through novel combinations of common ingredients. It's the sort of drive that leads to the combination of oysters and licorice, coffee and pork. Originality is key. Jordi Butrón, research-cook at the experimental center of the Adrià brothers (of elBulli fame) said in a recent article:
The key thing now for a cook is to develop a library of flavors that you can recall. If I say to you, ‘Apple and cinnamon,’ you would click in immediately. ‘Yes, apple! Yes, cinnamon!’ The library of your mind contains that. But what if I say ‘Apple, asafetida’? Nothing! You have nothing stored there. Now, this is a benefit to the chef, because if I do apple and cinnamon and you don’t like it you think there’s something wrong with me, but if I do apple and asafetida and you don’t like it there’s something wrong with you.It's tempting to write this off as a modern phenomenon, this idea that originality supersedes merit and experience, but as Jean Anthelme Brillat-Savarin famously wrote in 1825: "The discovery of a new dish confers more happiness on humanity, than the discovery of a new star." This is not Savarin trying on hyperbole; he really believed. The elevation of novel foods is not new.




